Tamami Iinuma - Face at a Distance - The Noguchi Museum, Long Island, NYC
When I photograph architecture, I want to catch the casual faces in everyday life rather than the formal ones. To do so, I first observe their various lines and measure their distances, and then look for the éą (men, meaning both planes and faces in Japanese) emerging from the air that fills the space and from the light that shines in.
In December 2018, I was in New York City for the first time and visited The Noguchi Museum in Long Island. There, I sensed something exceptional â as if the breath of the architecture and that of the camera were synchronizing.Â
I realized the photographer's ingenuity had mercilessly failed and automatically surrendered to the camera and let the shutter release itself. I noticed this dialogue between me and the architecture was what I had always relished, and it would continue to be how I would photograph architecture in the future.Â
I enjoyed it and noticed this would be how I would photograph architecture from now on.Â
- Tamami Iinuma
Photographs Tamami Iinuma
Design: Yuto Takamuro
English Supervise: Kana Kawanishi
H250 x W168mm
36p., 29 photographs with short essay in English
Printing: Nissha Digital Printing
Publisher: House of Architecture
© House of Architecture
Original: $16.66
-65%$16.66
$5.83














Description
When I photograph architecture, I want to catch the casual faces in everyday life rather than the formal ones. To do so, I first observe their various lines and measure their distances, and then look for the éą (men, meaning both planes and faces in Japanese) emerging from the air that fills the space and from the light that shines in.
In December 2018, I was in New York City for the first time and visited The Noguchi Museum in Long Island. There, I sensed something exceptional â as if the breath of the architecture and that of the camera were synchronizing.Â
I realized the photographer's ingenuity had mercilessly failed and automatically surrendered to the camera and let the shutter release itself. I noticed this dialogue between me and the architecture was what I had always relished, and it would continue to be how I would photograph architecture in the future.Â
I enjoyed it and noticed this would be how I would photograph architecture from now on.Â
- Tamami Iinuma
Photographs Tamami Iinuma
Design: Yuto Takamuro
English Supervise: Kana Kawanishi
H250 x W168mm
36p., 29 photographs with short essay in English
Printing: Nissha Digital Printing
Publisher: House of Architecture
© House of Architecture






















